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Craft

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The Grid Paper Year

I spent a year sketching every interface on grid paper before opening a design tool. Some notes on what changed.

From the series · A Lisbon Notebook

Portrait of Mara Ellison

By Mara Ellison · Lisbon

The Grid Paper Year — cover

Grid paper is the cheapest design system ever made, and it has never crashed. Last year I made a rule: every interface starts as a sketch on five-millimetre grid paper, and nothing opens on a screen until the sketch works. I expected it to slow me down. It did, in exactly the right places.[1]

What the grid forces

A pencil on a grid cannot fake precision. You cannot nudge something by half a pixel or hide a weak idea behind a nice gradient. You have to decide what matters, where it goes, and how much space it earns. The grid makes those decisions visible.

What I lost

Speed, at first. And the small pleasure of seeing a polished screen early. I also lost some bad ideas that only looked good because they were rendered well, which I no longer count as a loss.[2]

What stayed

I still sketch first. The notebooks from that year sit on a shelf above my desk, and I flip through them more often than through any file in my design tool. The ones I like best are full of crossings-out.[3]

Notes

  1. Five-millimetre squares, A5, dot or line, it doesn't matter much. What matters is that it's cheap enough to waste.

  2. A rendered mock-up is a very persuasive liar.

  3. I filled nine notebooks. Number four is mostly one checkout flow, drawn thirty-one times.

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Portrait of Mara Ellison

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Mara Ellison

Product designer in Lisbon. Writes about quiet software, attention and the slow craft of making things.

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